Preema provokes transcendental thirst in this testing time. Her visual images of paintings and performances simultaneously capture and question the opposing dystopias of hyper-centralisation and endless fragmentation. She deals with contemporaneous contestations - conflict, identity, disruption, trust, truth, fake, visibility – of the less than perfect present time. Her women are political. They share diversity, pluralism, liberty and equality. Her commitment is also translated in her use of media. Preema, thus integrates diverse media in her works. She manipulates photographs, juxtaposes these with oil and acrylic on canvases while the video close circuit camera footages gather reactions of people from a particular space on a situational exhibit of her paintings. Her aesthetic integration triggers a different height as she draws on hip and traditional sound mixer with classical composition to create contrasting ambience of harmony and disruption of differing times and spaces. Her women inoculate societies with ideas. These artworks become a real translation of thoughts into evolving forms, always bearing in mind that her thinking allows aesthetic creations.

Preema’s premise and promise also accolades in her aesthetics by opting through symbolic meanings, while being adherent to a deeper understanding in the joy of beauty, which comes from human relationship of connectedness. She is a keen observant and that gives her an edge on the subject, resulting into her art not being objectified. This allows her to be engaged in constant experimentations. Her characters are internalised as she navigates in to a character and find herself as if she is the particular character. Her subjective stance in abstract realism is the beauty that the viewers make of her works. Her beauty is in idea, in form, and in expression. Her shapes, thus, can affect feelings and create a long lasting impression that the viewers take with her selves. Preema’s use of primary colours set the mood, and highlight the tone, pattern, and movement of the subject. Her subjects find a sense of balance, contrast or movement in her pattern, though sometimes, she uses painting techniques to create an illusion of texture. Subjects, nonetheless, feel bridged, connected, liberated and no longer remain in chains of objectification.